JR on Alameda Street: 'The Wrinkles of the City' Appear at MOCA and Angel City Brewing

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Shannon Cottrell
JR's "The Wrinkles of the City" at Angel City Brewing
Read more about JR in "TED Award-Winning Street Artist JR Brings 'The Wrinkles of the City' to Los Angeles." For locations of "The Wrinkles of the City" pieces, see our Google map.


JR simultaneously tackles his biggest walls yet for his LA "Wrinkles" project. We're at two spots on Alameda, with Little Tokyo bustling about around us. Looking like an official city works team outfitted in yellow rain gear, a small faction of JR's crew from France has flown in to help. The first, on scaffolding at the Geffen Contemporary at MOCA, is outfitting six garage doors in sets of peering eyes. At the second site is JR himself on a lift at the Angel City Brewing building facing Traction.

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Shannon Cottrell
JR's "The Wrinkles of the City" at MOCA
On Friday, Jim Budman, who's recognizable brow is now larger than life at 1305 Abbot Kinney Blvd., stops by to encourage the team and get a photo for himself. As with all his projects, JR invites his subjects to come and see themselves be pasted up for posterity, but he says, the older the model, the less interested they are.

"The younger people come early [to the site] and bring their whole family," JR explains. "Many times, after the photo is over, the elderly could care less."

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Shannon Cottrell
Jim Budman visits "The Wrinkles of the City" at MOCA
Saturday sees the project delayed in the late afternoon. It now will take the weekend to complete the MOCA spaces. As the last xerox is applied to the brewery facade, the neighborhood empties and the wind picks up. The young man in the fedora is barely noticed as he awkwardly pilots the 30-ft, bright blue cherry picker back to its rental lot.

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2 comments
keskidis
keskidis

Great photo reportage Mr Shannon Cottrell .

Dennisboultonhere
Dennisboultonhere

Murals don't just "appear" on the walls of LA MOCA, as they do in the real world. They are planned and negotiated by extremely wealthy people and then applied by teams. One can argue that JR's real-world murals are made meaningful by their placement in slums, for instance, or high over city skylines. On MOCA's exterior walls they are meaningless, and they liken MOCA to a middle-aged parent who thinks taking break-dancing lessons will endear him to his children. Coffin-hugging dollar bills might have offended some; however, the fact that this set of murals will offend absolutely no one is a disgrace and an insult to street art itself.

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