Tom Neely's The Wolf: New 'Painted Novel' About Wolf-On-Human Romance is 'A Love Song to My Wife'

Courtesy of Tom Neely

L.A. cartoonist Tom Neely is perhaps best known for his role as founding father of Igloo Tornado, the crazy comic collective who published the hilarious mini comic Henry + Glenn Forever, which reimagined the friendship between hardcore punk musicians Henry Rollins and Glenn Danzig as a going-to-Pottery-Barn-on-Sundays gay romance. He also made a splash in the comic book scene with his first graphic novel, The Blot, published in 2007.

Now Neely is coming out with a new, self-published "painted novel" called The Wolf, which is equal parts violent, erotic graphic novel and surreal, dream-like narrative. The story -- roughly, as the book includes no words -- follows a man who turns into a wolf, roams forests and is haunted by its deathly inhabitants. He falls in love with a woman whose house he creeps into, late at night, and after a brief confrontation with some scary skeletons, whisks her away to a meadow where strange and wondrous things happen to both of them.

The Wolf comes out on Friday, July 8, with a book launch party at Secret Headquarters in Silverlake from 8 p.m. to 10 pm. L.A. Weekly talked to Neely about his new novel -- read on for the interview.

Courtesy of Tom Neely

How did you initially develop ideas for The Wolf?

It grew out of a series of paintings that I did for an art show in 2007 at a gallery here in town -- Black Maria Gallery, which is closed now. It kept coming up in my sketchbooks, and it eventually developed into a full story.

It evolved over the course of the last three years into a full narrative. It grew organically, in a stream of consciousness way. I had the structure of the narrative figured out, but in the process of working on it over the years, it fluctuated a lot. It's a little weird getting used to seeing it in book form now!

Could you give us your own rendition or interpretation of the narrative?

I like to leave it fairly open-ended. I prefer to work in surrealism, and leave it open and dream-like. Essentially, it's kind of a love song to my wife. There are some autobiographical elements mixed into the plot, buried deep beyond the skeletons and the wolf.

What kinds of autobiographical elements?

I got married in the midst of working on that, so that's a big part of it. That's the only element I'd be willing to share.

The Wolf is very different in style and topic than your earlier work, such as The Blot. How would you say your style has evolved?

It's just that: an evolution. I've always been more interested in artists that evolve rather than crystallizing a style . My previous novel, The Blot, was more influenced by classic comic strips, but the story dealt more with that stuff anyway. I wanted this to be a more expressive, emotional story and it seemed to need a more dramatic style. I pushed away the influences of all external artists to get at the way I wanted to draw things.

Courtesy of Tom Neely

How would you classify The Wolf? It can't really be called a graphic novel.

That's kind of the reason I called it a painted novel. I consciously broke away from the comic book style. I think of it as a long narrative series of paintings in book form. The storytelling style and the flow of the imagery was partially influenced by the woodcut novelists of the '30s, like Lynd Ward and Otto Nückel.