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| Tweets from @CTGLA as part of the org's "Tweet Seats" event during Clybourne Park and A Raisin in the Sun |
The cellular device is a wonderful technology. But that wonder is tempered every time a John Philip Sousa-like ringtone fanfare blares out, say, during the bloody dagger scene from a live performance of Macbeth. Which, of course, is why mobile phones have been unconditionally banished from the sacred precincts of live theater since their invention.
So it was something of a surprise when CTG appeared to bend that ironclad ban last week by introducing synchronized tweeting sections at the Thursday evening performances of A Raisin in the Sun at Culver City's Kirk Douglas and Clybourne Park across town at the Taper. Both audiences used the same hashtag, #WhereWeLive, to discuss the two shows, whose stories are interconnected. The "experiment," which was the brainchild of Jim Royce and Jim Halloran of CTG's marketing department, reportedly was managed with enough tact and discretion that few in the audiences were even aware of the Twittering transgressors in their midst.
Outside the two theaters, however, the precedent quickly turned into the tweets heard 'round the world, argued about in places such as the nationwide email list for dramaturgs and literary managers. Opinions ranged from tweeting during performances as a valid and innovative way to attract and engage younger, more tech-savvy audiences, to the notion that any cellphone use during a live performance is a disruptive, distracting and, particularly for the actors, fundamentally disrespectful activity.
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