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	<title>Foundas &amp; Taylor on Film</title>
	<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/" />
	<link rel="self" type="application/atom+xml" href="http://blogs.laweekly.com/foundas/atom.xml" />
	<id>tag:blogs.laweekly.com,2012:/foundas//45</id>
	<logo>/img/atom_logo.png</logo>
	<updated>2009-03-04T05:49:05Z</updated>
	
	<generator uri="http://www.sixapart.com/movabletype/">Movable Type Enterprise 4.21-en</generator>
	

	
	<entry>
		<title>Let It Rip</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/03/let_it_rip.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.181158</id>
		
		<published>2009-03-03 21:38:33</published>
		<updated>2009-03-04T05:49:05Z</updated>
		
		<summary>
		Another New York-only (for now) film retrospective that will, with any luck, eventually make its way West centers around the volatile, Texas-born character actor Rip Torn and, in particular, the r...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Another New York-only (for now) film retrospective that will, with any luck, eventually make its way West centers around the volatile, Texas-born character actor Rip Torn and, in particular, the r...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/03/let_it_rip.php">Continue reading "Let It Rip" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
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			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/181158.t.jpg</image>
	</entry>

	
	<entry>
		<title>Reflections on a Darkened Screen</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/03/reflections_on_a_darkened_scre.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.180539</id>
		
		<published>2009-03-02 09:47:52</published>
		<updated>2009-03-03T17:06:26Z</updated>
		
		<summary>
		



Somewhere, Guy Debord is smiling -- or at least nodding in approval. Although it&apos;s been nearly 15 years since the French author, filmmaker and all-purpose radical put a gun to his heart and en...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		



Somewhere, Guy Debord is smiling -- or at least nodding in approval. Although it's been nearly 15 years since the French author, filmmaker and all-purpose radical put a gun to his heart and en...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/03/reflections_on_a_darkened_scre.php">Continue reading "Reflections on a Darkened Screen" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/180539.t.jpg</image>
	</entry>

	
	<entry>
		<title>How Do You Say &quot;Oscar Scandal&quot; in Hebrew?</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/02/how_do_you_say_oscar_scandal_i_2.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.178510</id>
		
		<published>2009-02-23 04:40:45</published>
		<updated>2009-02-23T14:04:59Z</updated>
		
		<summary>
		Much as I am loathe to give any further wind to the orgy of self congratulations and poor taste that was this year&apos;s Academy Awards, given that it has been something of an ongoing discussion on th...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Much as I am loathe to give any further wind to the orgy of self congratulations and poor taste that was this year's Academy Awards, given that it has been something of an ongoing discussion on th...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/02/how_do_you_say_oscar_scandal_i_2.php">Continue reading "How Do You Say "Oscar Scandal" in Hebrew?" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/178510.t.jpg</image>
	</entry>

	
	<entry>
		<title>Rated &quot;G&quot; For Globalization</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/02/rated_g_for_globalization.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.175779</id>
		
		<published>2009-02-13 03:29:58</published>
		<updated>2009-02-13T11:52:45Z</updated>
		
		<summary>
		As earlier noted, the 2009 Berlin Film Festival opened with a Hollywood movie (The International), directed by Germany&apos;s own Tom Tykwer and filmed in a half-dozen countries around the world, then ...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		As earlier noted, the 2009 Berlin Film Festival opened with a Hollywood movie (The International), directed by Germany's own Tom Tykwer and filmed in a half-dozen countries around the world, then ...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/02/rated_g_for_globalization.php">Continue reading "Rated "G" For Globalization" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/175779.t.jpg</image>
	</entry>

	
	<entry>
		<title>Mist Opportunity</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/02/mist_opportunity.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.175391</id>
		
		<published>2009-02-12 03:14:37</published>
		<updated>2009-02-13T11:53:27Z</updated>
		
		<summary>
		Not many films in the 60 years since Robert Flaherty&apos;s immortal Louisiana Story have evoked the atmosphere of the Bayou State as strongly as Bertrand Tavernier&apos;s In the Electric Mist, a movie that...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Not many films in the 60 years since Robert Flaherty's immortal Louisiana Story have evoked the atmosphere of the Bayou State as strongly as Bertrand Tavernier's In the Electric Mist, a movie that...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/02/mist_opportunity.php">Continue reading "Mist Opportunity" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/175391.t.jpg</image>
	</entry>

	
	<entry>
		<title>Run Naomi Run</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/02/run_naomi_run.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.173832</id>
		
		<published>2009-02-06 17:01:43</published>
		<updated>2009-02-07T01:25:39Z</updated>
		
		<summary>
		For the next 10 days, I&apos;ll be posting regularly from the Berlin International Film Festival (a.k.a. the Berlinale), generally considered to be the second largest festival in Europe (after Cannes) ...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		For the next 10 days, I'll be posting regularly from the Berlin International Film Festival (a.k.a. the Berlinale), generally considered to be the second largest festival in Europe (after Cannes) ...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/02/run_naomi_run.php">Continue reading "Run Naomi Run" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/173832.t.jpg</image>
	</entry>

	
	<entry>
		<title>John Updike at the Movies</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/john_updike_at_the_movies.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.170131</id>
		
		<published>2009-01-27 13:31:29</published>
		<updated>2009-01-27T22:31:45Z</updated>
		
		<summary>
		Hollywood and John Updike, who died today at the age of 76, never made
for the easiest of bedfellows. In 1970, the underrated director Jack
Smight took an admirable stab at filming Rabbit, Run,
th...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Hollywood and John Updike, who died today at the age of 76, never made
for the easiest of bedfellows. In 1970, the underrated director Jack
Smight took an admirable stab at filming Rabbit, Run,
th...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/john_updike_at_the_movies.php">Continue reading "John Updike at the Movies" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/170131.t.jpg</image>
	</entry>

	
	<entry>
		<title>Coming to Amreeka</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/coming_to_amreeka.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.169312</id>
		
		<published>2009-01-24 16:35:01</published>
		<updated>2009-01-25T01:24:06Z</updated>
		
		<summary>
		If the U.S. dramatic competition at Sundance this year failed to yield one truly great film, it did offer up a lovely surprise in writer-director Cherien Dabis&apos; Amreeka, which follows a Palestinia...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		If the U.S. dramatic competition at Sundance this year failed to yield one truly great film, it did offer up a lovely surprise in writer-director Cherien Dabis' Amreeka, which follows a Palestinia...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/coming_to_amreeka.php">Continue reading "Coming to Amreeka" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/169312.t.jpg</image>
	</entry>

	
	<entry>
		<title>Crude Realities</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/crude_realities.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.168816</id>
		
		<published>2009-01-22 18:45:00</published>
		<updated>2009-01-22T23:52:10Z</updated>
		
		<summary>
		  One of Anna Wintour&apos;s most significant (and profitable) contributions to Vogue, we learn in The September Issue, has been her decision to put movie stars -- rather than fashion models -- on the ...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		  One of Anna Wintour's most significant (and profitable) contributions to Vogue, we learn in The September Issue, has been her decision to put movie stars -- rather than fashion models -- on the ...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/crude_realities.php">Continue reading "Crude Realities" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/168816.t.jpg</image>
	</entry>

	
	<entry>
		<title>Shalom Documentaries!</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/shalom_documentaries.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.168812</id>
		
		<published>2009-01-22 14:00:37</published>
		<updated>2009-01-22T21:49:55Z</updated>
		
		<summary>
		&quot;The dirty little secret about Sundance is that the best films every year are the documentaries,&quot; says Oscar-winning An Inconvenient Truth director David Guggenheim in one of the trailers for this...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		"The dirty little secret about Sundance is that the best films every year are the documentaries," says Oscar-winning An Inconvenient Truth director David Guggenheim in one of the trailers for this...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/shalom_documentaries.php">Continue reading "Shalom Documentaries!" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/168812.t.jpg</image>
	</entry>

	
	<entry>
		<title>Pushed to the Brink</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/pushed_to_the_brink.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.167773</id>
		
		<published>2009-01-20 12:45:10</published>
		<updated>2009-01-20T10:04:26Z</updated>
		
		<summary>
		By the mid-point of Sundance 2008, the standout film of the dramatic competition was Lance Hammer&apos;s Ballast, which mined unexpected poetry from the story of a poverty-line black family making ends...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		By the mid-point of Sundance 2008, the standout film of the dramatic competition was Lance Hammer's Ballast, which mined unexpected poetry from the story of a poverty-line black family making ends...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/pushed_to_the_brink.php">Continue reading "Pushed to the Brink" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/167773.t.jpg</image>
	</entry>

	
	<entry>
		<title>Susan Sarandon Help Line</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/susan_sarandon_help_line.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.167752</id>
		
		<published>2009-01-20 06:18:52</published>
		<updated>2009-01-20T09:42:14Z</updated>
		
		<summary>
		Will someone please stop Susan Sarandon from playing grief-stricken mothers before this once-great actress becomes a one-trick caricature of her former self? Having fretted over a son feared missi...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Will someone please stop Susan Sarandon from playing grief-stricken mothers before this once-great actress becomes a one-trick caricature of her former self? Having fretted over a son feared missi...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/susan_sarandon_help_line.php">Continue reading "Susan Sarandon Help Line" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/167752.t.jpg</image>
	</entry>

	
	<entry>
		<title>Cold Souls and Paper Hearts</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/cold_souls_and_paper_hearts.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.167699</id>
		
		<published>2009-01-19 16:27:26</published>
		<updated>2009-01-20T06:13:20Z</updated>
		
		<summary>
		What is the shape and size of a human soul? Does it look like a chickpea? A gumdrop? A pet rock? And if you could somehow extract your soul from your body, what would be left? Would you still be y...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		What is the shape and size of a human soul? Does it look like a chickpea? A gumdrop? A pet rock? And if you could somehow extract your soul from your body, what would be left? Would you still be y...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/cold_souls_and_paper_hearts.php">Continue reading "Cold Souls and Paper Hearts" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/167699.t.jpg</image>
	</entry>

	
	<entry>
		<title>Taking No Chances</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/taking_no_chances.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.167405</id>
		
		<published>2009-01-19 00:00:19</published>
		<updated>2009-01-19T08:18:11Z</updated>
		
		<summary>
		Those searching for signs of how leaner economic times are being felt at Sundance 2009 need look no further than the fact that the festival&apos;s opening weekend yielded only one major sale -- and tha...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Those searching for signs of how leaner economic times are being felt at Sundance 2009 need look no further than the fact that the festival's opening weekend yielded only one major sale -- and tha...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/taking_no_chances.php">Continue reading "Taking No Chances" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/167405.t.jpg</image>
	</entry>

	
	<entry>
		<title>G&apos;day Sundance</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/gday_sundance.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.167276</id>
		
		<published>2009-01-17 11:58:09</published>
		<updated>2009-01-17T20:13:36Z</updated>
		
		<summary>
		For the first time in its 25-year history, the Sundance Film Festival opened Thursday night with a movie from Australia. It was also the first time the festival has opened with a feature-length an...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		For the first time in its 25-year history, the Sundance Film Festival opened Thursday night with a movie from Australia. It was also the first time the festival has opened with a feature-length an...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/gday_sundance.php">Continue reading "G'day Sundance" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/167276.t.jpg</image>
	</entry>

	
	<entry>
		<title>Sundance, R.I.P.?</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/sundance_rip.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.166469</id>
		
		<published>2009-01-14 16:35:01</published>
		<updated>2009-01-15T21:30:30Z</updated>
		
		<summary>
		&quot;Will everyone be wearing black?&quot; a friend asked over dinner the other night when the subject arose of my imminent departure for the 2009 Sundance Film Festival. &quot;I&apos;m so glad I&apos;m not going to Sund...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		"Will everyone be wearing black?" a friend asked over dinner the other night when the subject arose of my imminent departure for the 2009 Sundance Film Festival. "I'm so glad I'm not going to Sund...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/sundance_rip.php">Continue reading "Sundance, R.I.P.?" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/166469.t.jpg</image>
	</entry>

	
	<entry>
		<title>How Do You Say &quot;Oscar Scandal&quot; in Italian?</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2009/01/how_do_you_say_oscar_scandal_i_1.php" />
		<id>tag:blogs.laweekly.com,2009:/foundas//45.165115</id>
		
		<published>2009-01-13 12:40:12</published>
		<updated>2009-01-14T19:01:30Z</updated>
		
		<summary>
		One year ago this week, I wrote with astonishment and anger about the omission of Romanian director Cristian Mungiu&apos;s Cannes-winning abortion drama 4 Months, 3 Weeks and 2 Days from
the Academy of...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		One year ago this week, I wrote with astonishment and anger about the omission of Romanian director Cristian Mungiu's Cannes-winning abortion drama 4 Months, 3 Weeks and 2 Days from
the Academy of...</p>
			<a href="http://blogs.laweekly.com/foundas/2009/01/how_do_you_say_oscar_scandal_i_1.php">Continue reading "How Do You Say "Oscar Scandal" in Italian?" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/165115.t.jpg</image>
	</entry>

	
	<entry>
		<title>Papa Manoel Turns 100</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2008/12/papa_manoel_turns_100.php" />
		<id>tag:blogs.laweekly.com,2008:/foundas//45.157343</id>
		
		<published>2008-12-12 09:23:59</published>
		<updated>2008-12-12T19:20:21Z</updated>
		
		<summary><![CDATA[
		"How many filmmaker have lived to witness their own centenaries?" I asked rhetorically this past spring on the occasion of the UCLA Film &amp; Television Archive's month-long retrospective of film]]>...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		"How many filmmaker have lived to witness their own centenaries?" I asked rhetorically this past spring on the occasion of the UCLA Film &amp; Television Archive's month-long retrospective of film...</p>
			<a href="http://blogs.laweekly.com/foundas/2008/12/papa_manoel_turns_100.php">Continue reading "Papa Manoel Turns 100" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/157343.t.jpg</image>
	</entry>

	
	<entry>
		<title>Inside The Baader Meinhof Complex</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2008/10/inside_the_baader_meinhof_comp.php" />
		<id>tag:blogs.laweekly.com,2008:/foundas//45.148168</id>
		
		<published>2008-10-31 15:47:18</published>
		<updated>2008-11-01T00:04:40Z</updated>
		
		<summary>
		Even back in the day, when I was revolting on campus while extolling the paradise of Soviet socialism to my slack-jawed parents over breakfast, my lefty friends and I drew the revolutionary line a...</summary>
		<author>
			<name>Ella Taylor</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		Even back in the day, when I was revolting on campus while extolling the paradise of Soviet socialism to my slack-jawed parents over breakfast, my lefty friends and I drew the revolutionary line a...</p>
			<a href="http://blogs.laweekly.com/foundas/2008/10/inside_the_baader_meinhof_comp.php">Continue reading "Inside The Baader Meinhof Complex" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/148168.t.jpg</image>
	</entry>

	
	<entry>
		<title>Left, Right and Center</title>
		<link rel="alternate" type="text/html" href="http://blogs.laweekly.com/foundas/2008/10/left_right_and_center.php" />
		<id>tag:blogs.laweekly.com,2008:/foundas//45.141455</id>
		
		<published>2008-10-06 08:43:00</published>
		<updated>2008-10-06T17:20:12Z</updated>
		
		<summary>
		
Sifting through the LA Weekly mailbag over the weekend, I couldn&apos;t help but take perverse amusement at a number of virulent missives written in response to my review of An American Carol, the ind...</summary>
		<author>
			<name>Scott Foundas</name>
		</author>
		<content type="html" xml:lang="en-us" xml:base="http://blogs.laweekly.com/foundas/">
		<![CDATA[
			<p>
		
Sifting through the LA Weekly mailbag over the weekend, I couldn't help but take perverse amusement at a number of virulent missives written in response to my review of An American Carol, the ind...</p>
			<a href="http://blogs.laweekly.com/foundas/2008/10/left_right_and_center.php">Continue reading "Left, Right and Center" ></a>
		]]>
		</content>
		
		
			<featured>0</featured>
			<featured_thumbnail></featured_thumbnail>
			<featured_headline></featured_headline>
		
		<image>http://blogs.laweekly.com/common/assets/141455.t.jpg</image>
	</entry>

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