Jean Maxime Perramon -- Big-Time Hollywood Animator, 'Bionic Six' Artist -- Killed on Shoulder of 101 Freeway in Thousand Oaks

Categories: Death

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Pepper Films Inc
Updated after the jump: Jean's friends and neighbors provide more details about his life and death.

Jean Perramon pulled over to the side of the 101 North at about 12:30 p.m. on Saturday, stepping out of his Ferrari momentarily to check its tire for a piece of metal he thought he may have run over.

From there, a chain of freak accidents ended in the 63-year-old Malibu resident and well-loved animation artist's tragic death.

California Highway Patrol Officer Leland Tang relayed the events to City News Service:

First, 67-year-old Thousand Oaks man James Pershing Flynn tried to change lanes in his Chevy van, about five miles north of Reyes Adobe Road in Thousand Oaks. That caused 37-year-old Montebello man Antonio Castillo to swerve his Lexus, crashing into the back of the van and veering straight into Perramon's Ferrari.

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Jean Maxime Perramon, of Malibu
Though his 37-year-old female passenger was not critically hurt, Perramon had opened his door and emerged partially from the driver's seat, putting him in harm's way at just the wrong moment.

He was then rushed to Los Robles Hospital in Thousand Oaks, where he died at about 5:10 p.m.

Perramon was most famous for his work as conceptual artist for "Fern Gully: The Last Rainforest," visual designer for "Jetsons: The Movie," animation director for "The Tigger Movie" and storyboard artist for 1987 Japanese-American animated series "Bionic Six." His full resume can be found on IMDB.

Here are the opening credits to "Bionic Six" -- a sharp example of the show's graphic edge, much of which can be attributed to Parramon:

Perramon had the honor of working alongside anime giant Osamu Dezaki ("Lupin III") for the "Bionic Six" series (Dezaki was the show's chief supervising director). The "Six" episodes were some of the first U.S. originals to re-imagine the Japanese anime aesthetic for a stateside audience, instead of just revamping shows from Japan ("Robotech," "Star Blazers," "Battle of the Planets").

Much more recently, Perramon co-founded animation company Pepper Films Inc., whose Los Angeles office is located on Melrose Avenue. His bio on the company's website reads:

Throughout his successful career, Perramon has consistently used digital technology and worked with talented digital artists and animators to create eyecatching, entertaining projects for clients such as Kellogg's on the Froot Loops campaign, Keebler, Mattel, Huggies and Gatorade and the opening title animation sequence for Disney's "The Tigger Movie."

Additionally, he worked at Duck Soup Studios as a director and designer for over 10 years on various award-winning spots such as FILA/Footlocker "Run Ball," Pop Tarts "Keep Away," McDonald's "Foxy," and the 7-Up "Spot" campaigns. Perramon was a concept art on "FernGully: The Last Rainforest."

Perramon began his career in Los Angeles as a Production Designer for Richard Williams Animation Studio. Prior to immigrating to Los Angeles, Perramon was based in Paris as an art director for the Oscar Mors et Varout ad agency where he worked exclusively on the L'Oreal account.

Update: A neighbor of Perramon's, British director Duncan Roy (featured in the Los Angeles Times for his Malibu mansion), writes on his personal blog that the passenger in the crushed Ferrari was Tonya Nicole Toma, 37, of Agoura Hills. Roy remembers that Perramon was always "running up and down that bloody Malibu mountain in his Ferrari."

Roy goes on to detail his neighbor's humble beginnings in the European art capitol of the world, and his eventual migration to Los Angeles:

An unwitting child prodigy, Jean began his career in the arts earning money drawing chalk pictures on the streets of Paris. His creative talents did not go unnoticed. After he completed art college he was hired as an art director by the important French advertising agency Oscar Mors et Varout. This would lead to his exclusively overseeing the world-wide advertising account for L'Oreal.

He moved to the USA to become a production Designer for Richard Williams Animation Studio. Consequently he became one of LA's premier digital director and designers working with artists and animators to create eyecatching, entertaining projects for clients such as Kellogg's on the Froot Loops campaign, Keebler, Mattel, Huggies and Gatorade and the opening title animation sequence for Disney's "The Tigger Movie."

And as for Perramon's more recent history -- Roy claims that the artist was "incredibly successful but mortally wounded by never discussed childhood events" and "his struggle to overcome addiction was legendary to anyone who knew him."

He is survived by his wife and mother, both of whom lived at his Rambla Pacifico residence, according to Roy.

One LA Weekly commenter, John Howley (a "story artist at DisneyToon studios," according to the Times), remembers working with Perramon at Duck Studios in the 1990s:

"Jean was a prolific artist and director, creative and driven," writes Howley. "His energy level knew no bounds."

Did you know the artist, or appreciate his work? Share your thoughts below. Originally posted February 27 at 2:43 p.m.

[@simone_electra/swilson@laweekly.com]

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18 comments
Blancaoraa
Blancaoraa

I used to be a very good friend with Jean when I lived in Malibu CA. My room mate Harold introduced me to Jean and we became friends.As an artist he showed me his work in the factory and he also introduced me her Japanese friend whose name I've forgotten.I introduced him my friend Claudie and he fell in love with her.We used to speak in French and it was a pleasure for both.I've just known that he's dead and I am sad but at the same time i am glad to have had the opportunity to have known him and enjoyed with him so much.

Wayne Young
Wayne Young

Jean was such a loveable genius artist and human being. He came to Australia in 1990 as part of our core animation crew for FernGully and everybody in our family and FernGully creative team became instantly bonded with this mercurial and endearing Frenchman. He was trying to stop smoking so he always had a cigarette dangling from his lips, unlit, but there to provoke himself and others. "Speak French or fuck off" was his favourite saying. His conceptual mood storyboards for FernGully were unique and allowed us to plot the emotional flow of the film like never before. He was much loved by so many. Wayne Young, Producer, FernGully.

Charlie P
Charlie P

Sorry to see you go Jean. I haven't seen you in many years. I recall you were at a low point then. I knew nothing of your successes. I knew you were suffering. I actually thought the first notice I read was indicating that you had jumped from a freeway overpass. I'm glad you are at peace. Thanks for your unconditional friendship. You are stronger than you ever realized. My Friend. Peace,

Bruce Martin
Bruce Martin

Jean Max, It was a pleasure and honor to have know you for more then 40 years. We shared some wonderful moments together especially with Christina and Martine in Paris, that I will cherish for the rest of my life. May God Bless You and prey that you are chosen as one of His artist in heaven.

Robert S.
Robert S.

Sweet, gentle, brilliant and troubled (who isn't?) You were so kind to me. Thank you for that. I loved seeing you around the campfire and sharing life with you. What a great smile. I'm thinking about you Jean and I'll miss you.

Betty
Betty

I was friend several years ago with Jean Max when he worked in Paris, and I will never forgot his laugh, and talent,. He will miss to a lot of friends here in Paris, and I think about his mother and brother. He will stay present every where because he was a great artist.

Bob Shuttleworth
Bob Shuttleworth

my dear friend Jean, I suppose I've knew you 20 years, what a wonderful human being, you'll be sorely missed.

Pmdehut
Pmdehut

ILOVE YOU WE GOBACK 32 YEARS. YOU WERE MY FAMILY. I'M IN A COMA

YOUR PATRICIA..........

Jennifer Hughes
Jennifer Hughes

I too worked with Jean at Duck Soup. How can someone so invincible be gone? So sad. His energy and talent will be greatly missed.

Vicky Jenson
Vicky Jenson

I worked alongside Jean on Fern Gully as a conceptual artist. He was part of a small contingent of us who had the joy and honor to go to Australia together to develop the look of the film and it's story with Bill and Sue Kroyer. Jean was such a dear and colorful character he made the trip memorable for me. I still keep copies of his pastels for the movie, they are still alive with movement and passion just as he always will be to me. Rest in peace, Jean.

Christina Cox
Christina Cox

I worked with Jean at SimEx and Pepper Films. He made me laugh, he made me cry, he took me under his little wing and gave me amazing opportunities. I hadn't spoken with him for a while but I liked knowing he was out there. I'm so sorry for poor Jean, Claudy & his mom too.

Mwalman
Mwalman

We never worked together but we often played...he was a good friend and I will miss him.

Rick May
Rick May

I was and still am shocked to hear of his passing. I've worked with him a few times at Pepper Films and always enjoyed the times. I meant to call him on Friday to catch up, but never got around to it. I'll always regret that. Rest in peace.

Todd Ingalls
Todd Ingalls

I worked with Jean in the 1990's at Duck Soup. His talent, creativity, zeal and passion still influence me today. He pushed the bounds of what was seemingly possible to bring a remarkable artistry and energy to each project he was a part of. I am deeply appreciative of the time I worked with him and his enduring influence. He lived life as he worked, filled to the point of over-flowing with a vigor and intensity that was uniquely his own.

Lane Nakamura
Lane Nakamura

I'll always have fond memories of Jean. He was my first mentor at Duck Soup Produckions, and gave me my first shot in the business. I'll forever be grateful for his belief in me, and for the opportunity to work under such a talented and passionate artist.

Patty Shinagawa
Patty Shinagawa

I too worked with him at Duck Soup, he was an amazing talent, a mercurial and energetic sprite, full of mischief and creativity. I cannot believe he is gone.

Jf
Jf

big kisses from France. So sad.

John Howley
John Howley

I am shocked and saddened at the news of Jean's death. We worked together for many years at DuckStudios (then Duck Soup Produckions) in the early 1990's. Jean was a prolific artist and director, creative and driven. His energy level knew no bounds. He will be sorely missed by so many. May his soul rest in peace.

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