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Sarah Tressler, Stripper-Journalist, Claims Her Firing Was Gender Discrimination

Categories: Lawsuits

sarah tressler shoes.JPG
Sarah!
Maybe Sarah Tressler was listening when we told her to come back to L.A. -- a stripping journalist would fit right in at the alt-lifestyle rag called LA Weekly.

The former LA CityBeat intern was back in town today to stand with her attorney, Gloria Allred, and announce a federal discrimination claim against the Houston Chronicle for firing her after they found out about her racy moonlighting gig.

Here are the deets:


She was fired by the Chronicle in late March after the paper found out Tressler, a society writer, had moonlighted as an exotic dancer.

In places like Texas and California employers can pretty much fire you for any reason. But they can't discriminate.

Here's what Allred alleges, via statement:

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More journalists should wear thigh-highs.

Most exotic dancers are female, and therefore to terminate an employee because they had previously been an exotic dancer would have an adverse impact on women, since it is a female dominated occupation. Terminations like this would also discourage women from trying to improve their lives.

Allred says Tressler, now 30, started dancing at 22 to make ends meet and kept doing it occasionally, as an independent contractor.

Tressler filed a gender discrimination claim with the U.S. Equal Employment Opportunity Commission and asked it to investigate the Chronicle.

She says:

I don't believe that I should have been terminated because of a claim that I did not disclose on my employment application that I worked as an exotic dancer. There was no question on the form that covered my dancing. I answered the questions on the form honestly

I feel that women should not be denied other employment because they have worked as exotic dancers

We stand with you in support of dancers' rights.

[@dennisjromero / djromero@laweekly.com / @LAWeeklyNews]


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18 comments
shawnrutledge
shawnrutledge

Sorry Sarah- some people are just straight up scary-mary, prude, judmental HATERS

enemydomestic
enemydomestic

I wouldn't fire her; maybe I'd stuff her face in a pillow and tell her she has been a bad girl but fire her? What a waste of "talent".

Merilyn Jackson
Merilyn Jackson

After a few bars, I began to find my footing. That’s when I noticed the hush. I got up the nerve to look out beyond the spotlights at a sea of brawn and booze, tattooed men in pony tails and handkerchiefs banded around their foreheads, women in black-leather vests and hot pants, and smoke so thick I didn’t even see the first beer bottle hurtling through it. Read Broad Street Review for the rest

Merilyn Jackson
Merilyn Jackson

The “stage” was a long runway behind the bar. I stepped out to “Ahh, Chewy, Chewy, Chewy Chewy, how I want ya ta do it to me.”

Too nervous to swallow, I hadn’t even thought to warm up. So, stiff and unable to find the groove in the song’s rhythm, I tried to shimmy into it with my eyes closed. 

 

Merilyn Jackson
Merilyn Jackson

I couldn’t afford to buy costumes, but the agent said I’d need two each night. The first one I wore at the Wellington (can’t help thinking of Frank and Bing, singing “Swellegant, elegant bar” in High Society, can you?) was an old, long-sleeved black leotard I had slit to below my navel. I edged the slit with sequins, cinched my waist with a gold belt and slipped into a pair of fishnets and stiletto heels. 

Merilyn Jackson
Merilyn Jackson

My gig at the Sportsman wasn’t too bad, not when I compared it to my first night out. I got into go-go dancing through my friend Linda at the hospital. I needed extra cash to get down to Alabama for my brother’s wedding, so Linda took me to her agent (she was secretly moonlighting from her job as secretary to the hospital administrator). He sent me out to a biker bar in Frankford, one of Philadelphia’s rougher neighborhoods. 

Merilyn Jackson
Merilyn Jackson

You see, I had to rush home to feed my kids and rest up for the week ahead at my regular day job. My nine-to-five, five-day-a-week job as assistant to the personnel director at Graduate Hospital netted me only $10 more for the week than my Saturday job. 

Merilyn Jackson
Merilyn Jackson

I needed the money, but the bar clientele seemed to think I danced only for my pleasure and theirs. As I sat out my breaks, they’d ask me to leave with them. I always laughed and said no. 

Merilyn Jackson
Merilyn Jackson

Remember “Crimson and Clover,” “Sooki-Sooki” and “Chewy-Chewy”? Every Saturday afternoon for a month I’d pop slugs into the Sportsman’s jukebox and dance to those and a few other favorites, like “Proud Mary.” Sometimes a customer made a request, like “Everyday People” by Sly and the Family Stone. I’d oblige. I was getting paid $75 to dance 40 minutes of every hour. In 1969, that was good money for five hours’ work.

Merilyn Jackson
Merilyn Jackson

As the sweat pours down my fishnet stockings, these guys think they’re gonna take me home and score, while I’m wondering if I can throw in a load of laundry before I heat up the leftover lasagna. 

jeffrey
jeffrey

more power  to  her,  beautiful  and smart... 

huskyfrk
huskyfrk

more power  to  her,  beautiful  and  smart.

huskyfrk
huskyfrk

more  power  to  her.  beautiful  and  smart.    

Danielle Russell
Danielle Russell

The Chronicle will be ordered to pay a large settlement, but they will do so with $1 bills. I'm surprised she didn't get fired from her stripper job for being a reporter. I would also like to mention that journalism in America died years ago and now is just a distributor of corporate propaganda.

Bob
Bob

Dang, think of how much fun she'd have been at the office Christmas party!

Merilyn Jackson
Merilyn Jackson

From Dancer to Go to Dance Critic: I've been a principal dance critic for The Philadelphia Inquirer for more that 15 years; we've just had a fracas regarding the stripping issue at the Daily News, to which I responded with this memoir:http://www.broadstreetreview.c...

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