By Shelley Leopold
n the early morning hours in mid-December, an amazing masterpiece of epic pink proportions appeared above the Melrose strip. Not MOCA's Murakami billboard itself, but rather a young curator's fantasy art show: "Murakami/AUGER/REVOK." The spectacle lasted two days, and then it was gone. For most of us who missed it entirely, the billboard became art-opening gossip - already a mythic achievement - and yet another coup pulled off by a couple of L.A.'s most prolific and talented AWR/MSK writers.

Luckily, REVOK carried his camera that day, and L.A. Weekly received the photo; we were wowed. So, it turns out, was Murakami, whose Kaikai Kiki studio found the evidence via the Internet and had the billboard surreptitiously removed. Murakami buffing billboards all the way from Japan? On the contrary, according to his representatives, he found it "so wonderful, he had to have it for his collection." Our billboard is now on its way to Tokyo.
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On the second Thursday of every month, downtown L.A.'s galleries and museums stay open late to showcase their new work.
Opening at Corey Helford Gallery, June 28
Scion Space hosts new work by Tanner Goldbeck, J Rivas, Larry Millls, Vanae Mary Rivera and J. Shea
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Comments
There are 2 comments posted for this article.
LOL! What a combo! East meets West.
Posted on February 2, 2008 11:50 PM by petites
Good night :
I'm from Argentina, happy to meet cool posters here.
See you.
Posted on February 5, 2008 9:23 AM by INWANKCIB