Astrid Hadad - Hollywood Forever Cemetery - 10-22-11
Traffic along Santa Monica Boulevard was a hell of a lot more congested than usual on Saturday afternoon, as Hollywood Forever Cemetery hosted the 12th annual Dia de Los Muertos festival. The traditional Mexican holiday honoring dead loved ones gaining on the other American holidays, in terms of popularity. Angelenos and foreign tourists showed up by the thousands to the unique theme-park-like event taking place atop an, of course, actual cemetery.
This year's headliners included Rubén Albarrán -- the notorious singer for famed Mexico City rock en Español band, Café Tacvba -- with his newish spiritual slanted side project, Hoppo. Also on the bill was Astrid Hadad, a Mexican performance artist known by millions for her eccentric and progressive sound.
This cemetery party was mad crackin' yo. There must have been more than three thousand inside, easily. Altars to popular dead artists were set up along the pathways that led up to the stage.
Javier Cabral RIP Dee Dee Ramone!
I walked in right when Hoppo started their set. Call them the Mexican reincarnation of Simon and Garfunkel, just about. Albarrán even referred to their songs as "super mantras." Their sitar-twanged spiritual sounds seemed fitting for the occasion but it's pretty hard to not associate his elastic high pitched voice with Café Tacvba.
Shortly after Hoppo, Hadad came on stage. A friend of mine calls her, "The original Mexican Lady Gaga, before Gaga was even born." Her music combines time-honored Mexican rancheras, salsa, rumba, '50s rock n' roll bass lines and even a pretty fast punk rock breakdown in her song, "La Tequilera". Her music is labeled as "Heavy Nopal" sometimes.
Javier Cabral Mexican Simon and Garfunkel?
The stage -- and her dress -- was lined with fragrant yellow Cempasúchil blossoms, aka marigolds, as this is the official flower for the holiday. Her set for the evening was titled "Sobre una Tumba Una Rumba " and it was a pleasantly vocalized homage to Mexico's history, from the Spanish conquest to the modern day state of corrupt government and narco-violence. She sang some songs in the Aztec language of Nahuatl, and some in Oaxacan Zapoteco. A lot of them were based in Aztec mythology, too.