Emily Lacy Raises Political Awareness -- and Bail Money
When Occupy L.A. was raided by police in late November, Emily Lacy saw lots of her friends arrested. To raise money for their bail, the 32-year-old Alhambra folk musician performed a show at Machine Project gallery in Echo Park. It was all part of what she called her "Occupy Music" events, Lacy says with a toothy grin.![]()
Jonathan Silberman
The disbanding of the protesters at City Hall broke her heart. But the events did inspire her new album, Rise, which is available tomorrow, Wed., Jan. 11, as a free download. The work's six original songs about protest help document the Occupy movement in a way that the media failed to, she says. "[Rise] is a political exorcism through sound and singing," she promises.
Lacy's previous work was slower paced, but Rise is loud and fast; her guitar work is accented by an orchestra of fuzz and distortion. "It was important to me to play with a dirtier, more kaleidoscopic sound so that the songs veered into a visceral space," she says, betraying her background as a visual and performance artist who has done sound-based installations everywhere from LACMA to the Whitney Museum in New York.![]()
Jonathan Silberman
Her most powerful weapon, however, remains her voice, which somehow combines Joni Mitchell's impassioned vibrato with Elvis' charismatic delivery. "We won't wave a gun/To speak, to speak," she cries in the title track, which is about peaceful protest and references the shooting of Congresswoman Gabrielle Giffords a year ago. "Riches" and "Goodbye" feature trembling vocal runs and haunting harmonies.

































