Marlon Brando Rocked the Conga Drums -- in Fact He Invented One

Categories: Jazz

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See also: Poncho Sanchez Played the Weekend Wedding Circuit, Until a Gringo Changed His Luck

In his column this week, Jeff Weiss talks with renowned conga player Poncho Sanchez about the unlikely gringo who put him on. Today we've got another Sanchez story about an even stranger encounter -- with Marlon Brando.

"It was 1976. I had been with [legendary vibraphonist] Cal Tjader for about a year and Cal told me Marlon Brando and Merv Griffin were coming to our matinee set,'" recalls Sanchez, calling from his Whittier home. "Marlon used to sit in with Cal out in East L.A. at a place called the M Club back in the early '60s. He'd come in, have some drinks and play the bongos. So I told Cal 'introduce me, introduce me.'"

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Devin DeHaven's shot of Pancho Sanchez
Sanchez's brief conversation with Brando revealed more than a passing familiarity latin percussionists. "He knew everybody! Mongo Santamaria! Tito Puente!"

A few years later Sanchez received a phone call. "Brando got my number from the union and he wanted to tell me about this conga drum he had invented. It was a drum with a handle on the side that could tighten the head and make the pitch go up. It was something different. We talked for about an hour. I told him he was one of the world's greatest actors but he insisted he wanted to be an inventor."

That first phone call led to several more, but Sanchez never got to test the drum out. That is, until last year. "I got a call from my friend DJ Felix Contreras that they had found the drum in a storage space and he wanted me to try it. There were all these pictures of Marlon in there, old contracts, a bird cage. This was Marlon Brando's shit! It was like being in his garage."

Alas, the likelihood of seeing the Brando conga in Guitar Center is fairly slim. "It sounded pretty good. I was playing it and turning it with the other hand. I forget how he did it but there was a lot of mechanical work in there so it also made the drum heavier. It was a cool idea for a conga drum but I was scared when I was tightening that thing. I didn't want to go too tight or something might give."


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  online session drummer
online session drummer

 A proper live room for tracking drums should ideally be large, so that the sound waves can mature and early reflections are minimized. Of course, smaller rooms can benefit from creative sound control devices such as absorbers and diffusers, but there's nothing like the sound of real drums in a large live room for maximum clarity and impact.

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