Shuggie Otis - The Echoplex - 12/5/12

Categories: Last Night

Undeterred, Otis continued his set, mentioning band members' birthdays including his son Lucky, who was doubling on guitar.

Eventually, Otis even broached "Strawberry Letter No. 23," referring to it as "a song made famous by the Brothers Johnson." The crowd naturally lost its shit as he dug into the repeating riff that spiraled into a psychedelic maelstrom as his six-person crew of veterans churned behind him.

Although Otis started forty minutes late, he opened with classics "Inspiration Information" and "Aht Uh Mi Hed." That alone should have been enough to satisfy the sold-out crowd. But he continued forward, proving himself the heir to the Otis family throne as a straight-forward blues showman with an unwavering control of the six-string guitar. Too bad for those who left early.

Personal Bias: I like a meltdown as much as the next person.

The Crowd: Varied but hovering mostly in the 20 and 30 year old scenester demographic.

Random Notebook Dump: I knew the night was over when I caught Johnny Rotten checking out my wife dancing to the post-show rocksteady offerings.

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The Echoplex

1154 Glendale Blvd., Los Angeles, CA

Category: Music

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5 comments
LAWeeklyMusic
LAWeeklyMusic

@HarMarSuperstar @CultofSOC Get a room you two.

amags130
amags130

Totally agree with @dtpk 

Sean acts like the walkouts were a dispute over musical taste. Far from it. 

I walked out after the feedback and constant delays/fussing with the amp became too much to overcome. Shuggie showed up late and completely wasted, never bothering to test any of his equipment before the show. Soundcheck is supposed to be mandatory, not optional. What I experienced last night was a very talented musician (with a very determined/talented backing band, who deserve a ton of credit) show a huge lack of respect for the paying customer by showing up unprepared. It was unprofessional at best and a train wreck at worst.

dtpk
dtpk like.author.displayName like.author.displayName 2 Like

I'm not even sure where to begin because this article is so wrong-headed, so contradictory and so inconsistent. You say you like a meltdown as much as the next person?!? Are you for real? What an insensitive, perverse thing to say! Were you as high and/or disoriented as Shuggie appeared to be last night? The man seems to either have a drug problem, severe performance anxiety, or both - any of which truly saddens me because I have nothing but respect for him. I spent time with him in 1984 when he was touring in his father's band and he was one of the kindest, gentlest people I've met. I was there last night and it was as much a travesty for the audience as it was a tragedy for Shuggie. For whatever reason, he was lost. And many of us in the audience were dumbfounded.

His incessant preoccupation with his "broken" guitar amp didn't make any sense, especially in light of the fact that it sounded perfectly fine; that is, when he chose to play anything you could hear beyond some barely audible, lightly strummed chords, which was the norm. Even you wrote that blaming his poor performance "on a poor guitar sound...seemed like a cop out". So which was it, an unrealistic and unjustly critical audience or a performer not up to the task? You can't have it both ways. Did you even notice that a significant amount of the time Shuggie spent fiddling with his amp he wasn't even touching anything, but merely passing his hand over the control panel? Or that he spent a long time - after he was introduced but before the first song even began - repeatedly coiling and uncoiling his guitar cord, indulging in some OCD-like fixations while the audience waited, dumbfounded? Even when the stagehands replaced his guitar cord he continued that bewildering behavior.

And, yes, I went to the show to hear old and new songs but, unfortunately, Shuggie was not delivering the goods on either. His guitar playing was meager - to put it mildly - and his vocals were largely off-key and downright weak. It pains me to say all that but it's true. And, yes, I was one of those "who staggered out of the Shuggie Otis show less than an hour into the proceedings", because it was literally just too painful to experience the meltdown that was on display. As a matter of fact, I left shortly after the decent-but-totally-average blues jam you cited, if only to preserve my hearing. For some reason, Shuggie saw fit to engage an effects peddle that he already had tried and knew to be defective, and to keep playing through this broken distorted peddle even if it meant spraying the crowd with wailing feedback and screeching.

To their credit, Shuggie's backing band soldiered on admirably in the face of an incredibly difficult situation. But even they couldn't save Shuggie from himself. Did I ask for a refund as Shuggie suggested I should? No. But neither did I stick around for the deeply depressing sight of Shuggie Otis out of control.

CultofSOC
CultofSOC

@HarMarSuperstar @LAWeeklyMusic Meh. Could be worse.

CultofSOC
CultofSOC

@HarMarSuperstar @LAWeeklyMusic If we can wait 40 years for new material, we can wait an hour to sort things out on stage.

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