Quit Hating on Kings of Leon, Even If You Disliked "Sex On Fire"


Journalists criticize Kings of Leon as being out for only fame and fortune, but it's an accusation rarely ever hurled at musicians from other genres. These guys grew up dirt poor, shuffling around to their father's pentecostal sermons throughout the south. Can you really blame them for wanting to escape that? Also, growing up in the south, as I can attest, you're lucky to even come across music that doesn't fit the standard god and guns model, and you're immediately appreciative if you do. So who are we to question whether or not their influences are genuine?

There's a striking comment from lead singer Caleb Followill near the end of the band's 2011 documentary Tahilina Sky. After two reps from RCA come to Nashville to pick the singles for the band's platinum-selling album Only By The Night, Followill says, "We're not gonna get on the radio but maybe we'll inspire enough kids to turn that shit off." Kings of Leon, like most groups on major labels, had virtually no say in whether or not "Sex On Fire" would make it to radio. And after already releasing three of their albums, you can't really blame RCA for trying to make it a hit. That's what major labels do.

Also: Note how much good music they've released over the years. Though I still find their debut quite spotty, each album since has seen exponential improvement. 2004's Aha Shake Heartbreak is arguably the best southern rock album of the 2000's, finding upbeat boot-stomping jams like "Taper Jean Girl" blending with more melodic folk-inspired fare like "Day Old Blues."

The two albums that followed, Because Of The Times and Only By The Night, saw the band veering further in to guttural guitar rock, but on their most recent and most overlooked, Come Around Sundown, emerged a near-perfect balance with their more understated influences. Listen to the beautifully frail piano melody that closes out "The End" for reference. Though not as successful as "Sex On Fire," "Pyro" also managed to get the attention of radio and rightfully so. The chorus contains one of the most moving melodies I've heard in contemporary rock.

This is all to say that if you've written off Kings of Leon because "Sex On Fire" made you nauseous or because someone from a moderately successful indie band slagged them off in an interview, you should give them another shot. After all, it was only four years ago when Radiohead guitarist Ed O'Brien called them "the greatest band in the world at the moment" and most of Europe seems to agree. They've already booked a headliner slot alongside Blur at one of Europe's biggest festivals for 2013, and with their sixth album on the way, there's a decent chance you might have to deal with them Outside Lands or Lollapalooza. Might as well try and enjoy it.

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6 comments
thepennylane
thepennylane like.author.displayName 1 Like

And another thing, your last paragraph is a big problem. We should like them because Ed O'Brien said something good about them and because they're headlining festivals? My Morning Jacket can headline festivals because they are stellar musicians and Jim James can soar like no other frontman, they can entertain for 4 hours. What other sounds have KOL tried to tap into? What covers have they attempted? They couldn't handle a Band cover because it's above them (at least right now). You are giving them entirely too much credit for what Ethan Johns did. Advice for them, whatever your label tells you to do, try the opposite and you'll get real fans back. (You know, the fans who don't listen to the radio to see what's popular?) I bet your next article will be how we've all been wrong for doubting Mumford & Sons, too.

thepennylane
thepennylane like.author.displayName 1 Like

Wrong. Calling their 'debut' spotty is your biggest problem. Their music has gotten progressively worse as they've become a total cliche. They let producers water down their sound. Fans don't care if they're douchey, but they do care about the sound. They need to take a step back and go write some good songs. They got thrown into headlining festivals and they couldn't produce. Their shows were short and they didn't have the songs or wherewithal to the make the most of it. Who cares if they marry supermodels? Nothing wrong with wanting money, either. Point blank, I'm glad you have enough passion to defend them but the decline of their music speaks volumes. I loved their first couple albums and I think all the bad publicity is going to make them work harder--I'm holding out hope for these boys. They have it in them, but they need to stay  humble and work for it.

thesoftkillsinger
thesoftkillsinger

Oasis didnt suck you just didnt like how they didnt kiss yer  ass i dont equate someones niceness to merit their music thats why this country shit for the most part music wise....Kings of leon i was never a fan anyway but do they really rub you the wrong i mean what else could you say is good nowadays I mean i like The black Angels besides that..oh, i bet yer the Mumford type  horible people like you is whats ruining that genre of music go fuk yourself

J0se_Flanders
J0se_Flanders

I liked their first two abums. My favorite KoL song of all time is "Red Morning Light".

andreihp42
andreihp42 topcommenter

It's because their music just sucks. They are the new Oasis. Totally overhyped, totally underwhelming.

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