Otep: Powerful and Vicious

On a chilly January afternoon in West Hollywood, the heavily tattooed singer Otep Shamaya can't hide her excitement for the release of Hydra, her band Otep's sixth studio album, out today. In the testosterone-fueled genres of aggressive rock and heavy metal, it's not easy to be a lesbian singer, but Shamaya has outlasted many of her contemporaries.

She's been writing and recording for 12 years, a disciple of Kurt Cobain and Jim Morrison. Originally, Otep was signed to Capitol Records after only four shows. Since then, the Los Angeles-native has built a cult following of people who connect with her lyrics that range from her unabashed left-wing politics to stories about overcoming obstacles and hope.

"As a gay person, I'm accustomed to being attacked," she says. "And as a tattooed singer of a very loud rock band, I'm used to be used to being an outcast. It's how I've felt my whole life."

When she's not riling up crowds on-stage, Otep writes poetry (she's released several volumes), paints, writes for several websites and is an outspoken champion of women's rights, highlighted when she spoke on behalf of Rock The Vote at the 2008 Democratic National Convention.

As we nurse cups of hot coffee, Otep tell us how this album is different from earlier work and recalls how one fan interaction showed the difference she's made in her fans lives.

What's the difference between this record and the past few you've made?

I think this album Hydra is, in some ways, about feminine empowerment. It was a feeling of helplessness against the Conservative Party that tried reduce women to a pre-1920s status when we didn't have the right to vote or any sort of normal citizenship in this country whatsoever. It ended up being a very personal album and stems from the idea that women can be just as powerful and vicious as they want to be.

I'm accustomed to being attacked for a number of reasons. But this felt like something new, because of the debate of whether or not being gay was something you choose. My artistic proclivities engage me to write loud in-your-face music and not play or pander to whatever the stereotype of what I'm supposed to be saying as a woman. Part of that response may have been writing this very dramatic and very strong album that was about a woman striking back.

Have you found the challenges of being a gay woman in such a masculine genre overwhelming at times?

I think it's harder to be a minority anywhere. I think it's limiting and if you look at the large rock festivals and look at how many women were on those festivals -- not a lot. For women, we have to support each other because we're set up to be competitive against each other and that's hard to overlook when it is so hard for women to get noticed. There are people that will deny me because of both things and be like "whatever." There will be some that will listen out of intrigue. I find that we have a very special following and I don't think it has anything to do with my gender, but I think instead the message. I will continue to hopefully inspire other people to shake up the system, to shake up the stereotypes and the image of what we're supposed to be because society says we have to be.

Are you surprised that without any mainstream success that you've been able to carve out a career as a musician?